1964 // Aidan Salakhova marries Eastern Islamic with Western feminist influences, combining her Azerbaijani background with her Eastern European upbringing. Her “Persian Miniatures” series explores the feminine identity in an Islamic context.Missing elements carry as much weight as those that are visualized. Feminine figures are delicately portrayed, with the male presence noticeably absent. The drawings are flat and their subjects anonymous, rendering them interchangeable and representational. Her execution traces back to Persian miniatures from which the series takes its name..